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Unity in Opposition

ABOUT
Unity in Opposition - Susan Fraser Hughes, Eric Cameron

Unity in Opposition
Susan Fraser Hughes, Eric Cameron
Curated by Nicholas Wade

An Introduction:
Coating and re-coating a wall or an object can be described in relation to a need to maintain or to perform maintenance. When it is done daily or even weekly the act can imply a more ritualistic and secretive commitment, (as in a process of secreting (away))…or as in applying a secretion as an oyster does in the irritating invasive particle, the obsessive material address from which the pearl will appear. This work is however, not experimentation in the “thing-ness” and materiality of paint.
In Eric Cameron’s thick paintings there is ready acceptance of the physicality of the material and the varied and at times seemingly contorted outcomes which it produces.

In Eric Cameron’s “Thanatos”, one hundred Remembrance Day poppies are dipped into a range of colours of liquid acrylic over a period of time. One imagines a series of cans of paint which can be rotated or re-organized under the hanging poppies in order that colours are never repeated on the same hanging poppy, while lines of suspended emblems hang from several rods supported over the cans of paint. Continue to talk about memory.

-excerpts from the show description as written by Nicholas Wade

TRIANON GALLERY

Shows

  • 2015
    • The Field of Appearances
    • (un)Desirables
    • Time... Place... People...
    • LIGHT OF OTHER DAYS
    • Half Pace
    • I Wish I Was A Little More Delicate
    • Inappropriate Intensities
    • ---
  • 2016
    • Collision of.....
    • Confined Landscapes: A Project From The Carceral Landscape
    • FOUR AND TWENTY BLACKBIRDS
    • COURT PAINTER & THE POLITICAL ELITE
    • Interface
    • /GRENZE
    • Faltamos Fantasmas
    • Evan Peacock
    • Ecoscapes: envisioning science and ecology
    • ---
  • 2017
    • From Away To
    • Return
    • Court Painter
    • IIKAAKIIMAAT
    • Underfoot: Domestic Abstraction
    • OLD BRICKS NEW TRICKS
    • ---
  • 2018
    • Art Becomes Nature
    • Occurrences
    • THE FIGURE in Relationship
    • Wer bist du?
    • That's not what I meant.
    • CORPUS PHILOSOPHORUM
    • I Reserve The Right
    • ---
  • 2019
    • Construct Counterpoint
    • askîy iskwew
    • This Apparent Magnitude
    • Salvage
    • Unruly Bodies II
    • Ghosts and Angels
    • ---
  • 2020
    • O Death
    • Material Instincts: Ruminations on Motherhood and Craft
    • Studium
    • ---
  • 2021
    • IN THE SHADOW OF SUMMER
    • ---
  • 2022
    • Jeffrey Spalding - A Tribute.
    • Janice Rahn & Michael Campbell
    • Billy McCarroll - Recent Work
    • Colour & Connections
    • ---
  • 2014
    • senselikeblueplace
    • The Study of Where is Near
    • The Entangled Argument
    • Liar Liar
    • Hoarder Tendencies
    • DICKENS!
    • Recent Acquisitions
    • MUTATIONS
    • MICROCOSM
    • Hobby Shop
    • ---
  • 2013
    • Bloodless & Boneless
    • Unity in Opposition
    • Three Women
    • Pablo's Grid / Drop Cloth Paintings
    • Principles of Nostalgia
    • M.E.D.I.U.M
    • ---
  • 2012
    • End of Time
    • All You Can Eat
    • Manufacturer
    • The Wandering Thought II
    • The Voice Reached Us
    • Debra Tisdale
    • ---
  • 2011
    • Paradise Lost
    • Nature As Culture
    • Architectural Drawing
    • Decoy
    • Iconographies
    • ---
  • 2010
    • Nouveau Frankenstein
    • Potemkin – Whole Sum of Its Parts
    • The Irreal and The Imaginary
    • Elyse Longair
    • At the other side of beyond
    • Walks in the Wood
    • Muster
    • ---
  • 2009
    • Come Through my Doorway
    • Fortuna
    • Triangulation
    • Membrane
    • New Works
    • Serendipity
    • Early Work
    • Dear Edward
    • These are for Science
    • ---
  • 2008
    • Abitation
    • Drawing Distance
    • Paper Fitting
    • Potluck
    • A Haphazard History
    • Portraits from the Hive
    • Leftovers
    • ---
  • ARCHIVE
104 5th Street South, Lethbridge AB, Canada403-381-8888[email protected]
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