Savill Group Architecture

Menu

  • Architecture
    • Residential
    • Commercial
    • Institutional
  • Art
    • Shows
    • Events
    • Links
  • About
    • Blog
    • Savill Group
Skip to content
  • Architecture
    • Residential
    • Commercial
    • Institutional
  • Art
    • Shows
    • Events
    • Links
  • About
    • Blog
    • Savill Group

Underfoot: Domestic Abstraction

ABOUT
Works by Adrian Cooke

Adrian Cooke is an artist/sculptor with a record of both solo and group exhibitions across Canada. After graduating with honours from the Alberta College of Art in Calgary, Alberta, he pursued post-diploma studies at the New York Studio School in New York City and earned his BFA from the Alberta College of Art and Design in. He has also participated in summer sessions at the Banff Centre, Alberta and Emma Lake, Saskatchewan.

Adrian has been a juror and member of various arts organizations and has performed preparatory and technical duties in art galleries and art departments. His artistic practice and technical skills have led to opportunities that include team-teaching in sculpture and museum studies.

Canada Council Grants provided him with the opportunity to study abroad where he worked in the historical atmosphere of England and Italy, furthering his interest in architecture and design as it relates to his home and sense of place in Canada.

The Glenbow Museum, Calgary, Osler, Hoskin and Harcourt, Toronto, Concordia University, Montreal, the University of Lethbridge, Alberta, the Art Gallery of Alberta, Edmonton, The Art Gallery of Nova Scotia and the Canada Council Art Bank are among the institutions that include his work in their collections.

Adrian continues to live and work in Lethbridge, Alberta, pursuing exhibition and artistic opportunities related to his sculptural pursuits.

“I draw my inspiration from considerations of how shapes, forms, patterns and textures indigenous and unique to the prairie region transform our surroundings and inform our sense of place. Architectural and sculptural configurations specific to this region are reflective of their purpose and shaped by the diversity of those living here. In the sometimes bleak and unforgiving landscape, iconographic forms become visually inviting. The expansive landscape and sky become a viewing room, a gallery, where a metamorphosis occurs between the natural landscape and that of human activity. My interpretations have evolved into configurations that reflect how human interaction with their surroundings are continually reshaping and redefining our relationship with our environment.”

-Text provided by the University of lethbridge

TRIANON GALLERY

Shows

  • 2015
    • The Field of Appearances
    • (un)Desirables
    • Time... Place... People...
    • LIGHT OF OTHER DAYS
    • Half Pace
    • I Wish I Was A Little More Delicate
    • Inappropriate Intensities
    • ---
  • 2016
    • Collision of.....
    • Confined Landscapes: A Project From The Carceral Landscape
    • FOUR AND TWENTY BLACKBIRDS
    • COURT PAINTER & THE POLITICAL ELITE
    • Interface
    • /GRENZE
    • Faltamos Fantasmas
    • Evan Peacock
    • Ecoscapes: envisioning science and ecology
    • ---
  • 2017
    • From Away To
    • Return
    • Court Painter
    • IIKAAKIIMAAT
    • Underfoot: Domestic Abstraction
    • OLD BRICKS NEW TRICKS
    • ---
  • 2018
    • Art Becomes Nature
    • Occurrences
    • THE FIGURE in Relationship
    • Wer bist du?
    • That's not what I meant.
    • CORPUS PHILOSOPHORUM
    • I Reserve The Right
    • ---
  • 2019
    • Construct Counterpoint
    • askîy iskwew
    • This Apparent Magnitude
    • Salvage
    • Unruly Bodies II
    • Ghosts and Angels
    • ---
  • 2020
    • O Death
    • Material Instincts: Ruminations on Motherhood and Craft
    • Studium
    • ---
  • 2021
    • IN THE SHADOW OF SUMMER
    • ---
  • 2022
    • Jeffrey Spalding - A Tribute.
    • Janice Rahn & Michael Campbell
    • Billy McCarroll - Recent Work
    • Colour & Connections
    • ---
  • 2014
    • senselikeblueplace
    • The Study of Where is Near
    • The Entangled Argument
    • Liar Liar
    • Hoarder Tendencies
    • DICKENS!
    • Recent Acquisitions
    • MUTATIONS
    • MICROCOSM
    • Hobby Shop
    • ---
  • 2013
    • Bloodless & Boneless
    • Unity in Opposition
    • Three Women
    • Pablo's Grid / Drop Cloth Paintings
    • Principles of Nostalgia
    • M.E.D.I.U.M
    • ---
  • 2012
    • End of Time
    • All You Can Eat
    • Manufacturer
    • The Wandering Thought II
    • The Voice Reached Us
    • Debra Tisdale
    • ---
  • 2011
    • Paradise Lost
    • Nature As Culture
    • Architectural Drawing
    • Decoy
    • Iconographies
    • ---
  • 2010
    • Nouveau Frankenstein
    • Potemkin – Whole Sum of Its Parts
    • The Irreal and The Imaginary
    • Elyse Longair
    • At the other side of beyond
    • Walks in the Wood
    • Muster
    • ---
  • 2009
    • Come Through my Doorway
    • Fortuna
    • Triangulation
    • Membrane
    • New Works
    • Serendipity
    • Early Work
    • Dear Edward
    • These are for Science
    • ---
  • 2008
    • Abitation
    • Drawing Distance
    • Paper Fitting
    • Potluck
    • A Haphazard History
    • Portraits from the Hive
    • Leftovers
    • ---
  • ARCHIVE
104 5th Street South, Lethbridge AB, Canada403-381-8888[email protected]
Full Site