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Interface

ABOUT
Charles Harris

My current body of work represents an extension along a path that has been continuous regarding the majority of my work over the past several years. While I am planning to explore similar aesthetic approaches to earlier ones I have used, I see the work and the ‘theory’ becoming more refined as I proceed. I have come to the current point in my work through an initial desire to deny digital production and to return to the act of hand-making objects: prints. By way of influences, I see myself moving between the study of modern and contemporary graphic design, and an investigation of pop-culture imagery influenced by Modernist aesthetics. Russian Constructivist artists such as Alexander Rodchenko, and El Lizzitsky, modern designers from the mid-twentieth century such as Alvin Lustig and Erik Nitsche, and a contemporary studio, like JPL Studios, which is affiliated with California institute of Techonology(Caltech), with their series of posters “Visions of the Future,” among others, will be the focus of my research.

-Charles Harris

TRIANON GALLERY

Shows

  • 2022
    • Jeffrey Spalding - A Tribute.
    • Janice Rahn & Michael Campbell
    • Billy McCarroll - Recent Work
    • Colour & Connections
    • ---
  • 2021
    • IN THE SHADOW OF SUMMER
    • ---
  • 2020
    • O Death
    • Material Instincts: Ruminations on Motherhood and Craft
    • Studium
    • ---
  • 2019
    • Construct Counterpoint
    • askîy iskwew
    • This Apparent Magnitude
    • Salvage
    • Unruly Bodies II
    • Ghosts and Angels
    • ---
  • 2018
    • Art Becomes Nature
    • Occurrences
    • THE FIGURE in Relationship
    • Wer bist du?
    • That's not what I meant.
    • CORPUS PHILOSOPHORUM
    • I Reserve The Right
    • ---
  • 2017
    • From Away To
    • Return
    • Court Painter
    • IIKAAKIIMAAT
    • Underfoot: Domestic Abstraction
    • OLD BRICKS NEW TRICKS
    • ---
  • 2016
    • Collision of.....
    • Confined Landscapes: A Project From The Carceral Landscape
    • FOUR AND TWENTY BLACKBIRDS
    • COURT PAINTER & THE POLITICAL ELITE
    • Interface
    • /GRENZE
    • Faltamos Fantasmas
    • Evan Peacock
    • Ecoscapes: envisioning science and ecology
    • ---
  • 2015
    • The Field of Appearances
    • (un)Desirables
    • Time... Place... People...
    • LIGHT OF OTHER DAYS
    • Half Pace
    • I Wish I Was A Little More Delicate
    • Inappropriate Intensities
    • ---
  • 2014
    • senselikeblueplace
    • The Study of Where is Near
    • The Entangled Argument
    • Liar Liar
    • Hoarder Tendencies
    • DICKENS!
    • Recent Acquisitions
    • MUTATIONS
    • MICROCOSM
    • Hobby Shop
    • ---
  • 2013
    • Bloodless & Boneless
    • Unity in Opposition
    • Three Women
    • Pablo's Grid / Drop Cloth Paintings
    • Principles of Nostalgia
    • M.E.D.I.U.M
    • ---
  • 2012
    • End of Time
    • All You Can Eat
    • Manufacturer
    • The Wandering Thought II
    • The Voice Reached Us
    • Debra Tisdale
    • ---
  • 2011
    • Paradise Lost
    • Nature As Culture
    • Architectural Drawing
    • Decoy
    • Iconographies
    • ---
  • 2010
    • Nouveau Frankenstein
    • Potemkin – Whole Sum of Its Parts
    • The Irreal and The Imaginary
    • Elyse Longair
    • At the other side of beyond
    • Walks in the Wood
    • Muster
    • ---
  • 2009
    • Come Through my Doorway
    • Fortuna
    • Triangulation
    • Membrane
    • New Works
    • Serendipity
    • Early Work
    • Dear Edward
    • These are for Science
    • ---
  • 2008
    • Abitation
    • Drawing Distance
    • Paper Fitting
    • Potluck
    • A Haphazard History
    • Portraits from the Hive
    • Leftovers
    • ---
  • ARCHIVE
104 5th Street South, Lethbridge AB, Canada403-381-8888[email protected]
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