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The Entangled Argument

ABOUT
The Entangled Arugment - Kelsey Galbraith

The Entangled Argument
Kelsey Galbraith

Through the process of abstract painting I began the process of addressing the loaded issues associated with industrial development and impact paired with the reality and influences that these industries have on various areas of personal and public domains. Born and raised in South-eastern Alberta, the oil and gas industry has fundamentally shaped my life by providing my family, both immediate and extended, with economic security and freedom. Through a disputatious statement, this is simply the mere reality of not only my personal life, but could also speak to a global scale. My curiosity of addressing this subject within a visual context grew into questions revolving around resource extraction, and reclamation and the dependent relationship between the two.

After spending a significant amount of time within the local region of South Western Alberta, I developed a connection between the demands of the resource industry fronted with the demands for the protection and reclamation of this regions land and resources. By collecting a number of photographs taken by myself or by those I personally know working within the industry, I integrate the various industrial images as source material for my paintings. By visually engaging the complicated relationship between the two issues, I am not to side with one or the other, but to alternatively provide a visual platform for conversations to manifest.

Though I am working with a specific source, most of my choices are based upon a reaction/action response. This allows for me to acknowledge the formal questions of painting and in part enable my emotions, my perspective and my experience to become fundamental element to the paintings as well. revisiting the images and personal feelings towards this subject influence and inform my creative process, thus translating both subtle and revealing awareness upon the surface.

– Kelsey Galbraith

TRIANON GALLERY

Shows

  • 2015
    • The Field of Appearances
    • (un)Desirables
    • Time... Place... People...
    • LIGHT OF OTHER DAYS
    • Half Pace
    • I Wish I Was A Little More Delicate
    • Inappropriate Intensities
    • ---
  • 2016
    • Collision of.....
    • Confined Landscapes: A Project From The Carceral Landscape
    • FOUR AND TWENTY BLACKBIRDS
    • COURT PAINTER & THE POLITICAL ELITE
    • Interface
    • /GRENZE
    • Faltamos Fantasmas
    • Evan Peacock
    • Ecoscapes: envisioning science and ecology
    • ---
  • 2017
    • From Away To
    • Return
    • Court Painter
    • IIKAAKIIMAAT
    • Underfoot: Domestic Abstraction
    • OLD BRICKS NEW TRICKS
    • ---
  • 2018
    • Art Becomes Nature
    • Occurrences
    • THE FIGURE in Relationship
    • Wer bist du?
    • That's not what I meant.
    • CORPUS PHILOSOPHORUM
    • I Reserve The Right
    • ---
  • 2019
    • Construct Counterpoint
    • askîy iskwew
    • This Apparent Magnitude
    • Salvage
    • Unruly Bodies II
    • Ghosts and Angels
    • ---
  • 2020
    • O Death
    • Material Instincts: Ruminations on Motherhood and Craft
    • Studium
    • ---
  • 2021
    • IN THE SHADOW OF SUMMER
    • ---
  • 2022
    • Jeffrey Spalding - A Tribute.
    • Janice Rahn & Michael Campbell
    • Billy McCarroll - Recent Work
    • Colour & Connections
    • ---
  • 2014
    • senselikeblueplace
    • The Study of Where is Near
    • The Entangled Argument
    • Liar Liar
    • Hoarder Tendencies
    • DICKENS!
    • Recent Acquisitions
    • MUTATIONS
    • MICROCOSM
    • Hobby Shop
    • ---
  • 2013
    • Bloodless & Boneless
    • Unity in Opposition
    • Three Women
    • Pablo's Grid / Drop Cloth Paintings
    • Principles of Nostalgia
    • M.E.D.I.U.M
    • ---
  • 2012
    • End of Time
    • All You Can Eat
    • Manufacturer
    • The Wandering Thought II
    • The Voice Reached Us
    • Debra Tisdale
    • ---
  • 2011
    • Paradise Lost
    • Nature As Culture
    • Architectural Drawing
    • Decoy
    • Iconographies
    • ---
  • 2010
    • Nouveau Frankenstein
    • Potemkin – Whole Sum of Its Parts
    • The Irreal and The Imaginary
    • Elyse Longair
    • At the other side of beyond
    • Walks in the Wood
    • Muster
    • ---
  • 2009
    • Come Through my Doorway
    • Fortuna
    • Triangulation
    • Membrane
    • New Works
    • Serendipity
    • Early Work
    • Dear Edward
    • These are for Science
    • ---
  • 2008
    • Abitation
    • Drawing Distance
    • Paper Fitting
    • Potluck
    • A Haphazard History
    • Portraits from the Hive
    • Leftovers
    • ---
  • ARCHIVE
104 5th Street South, Lethbridge AB, Canada403-381-8888[email protected]
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